Indigo

An ethnographical and historical narrative on the colour that changed the course of history

Indigo

The Project

THE INDIGO FACTORY is a journey through the rich tapestry of indigo-making and subsequent processing into fabric, layered with India’s colonial history that transformed an artisanal occupation into mass production in factories.  This project is an homage to the legacy of indigo, a dye that has colored our world in shades of deep blue for centuries. The process of making indigo dye is an art form passed down through generations. It begins with the careful planting of seeds, followed by the meticulous harvesting of leaves, which are then fermented in large vats to extract the precious dye.  The dye is then used to colour the yarn, spun into thread and woven into fabric. Despite the advent of synthetic dyes, the indigo making and handloom weaving traditions continue to support the livelihoods of many and stands as a testament to sustainable practices in a world leaning towards organic and natural products.  It is a legacy that continues to dye the threads of the present with the colors of the past, ensuring that the story of India’s ‘blue gold’ lives on.

Review

I watched the documentary. It is very well made. Congratulations! 

Apart from the process of making indigo, the labour that underlies every stage of commodity production is powerfully depicted. Coming to think of it, it is curious as to how the harvesting was by women and the manufacture was handled by men. I wonder if there is a broader statement here about how labour continues to be gendered.

The footage is evocative and the sound recording is of very high quality. This is usually not the case with many ‘social commentary’ documentaries that tend to be rather tedious. The use of the rhythmic cadence of the loom and the stomping of water is excellent and very powerful! All of these elements make the documentary very watchable.

I’d have liked to see a bit more of colonial history woven into the narrative but that’s probably not your objective. I have mixed feelings about the factory itself. The motivation for the owners to revive it along the lines of a colonial mode of production is not clear. The discussion of the workers about the very hard labour involved in aerating the indigo water by stomping reminds me of an older episode. In 1942 the board of the All-India Village Industries Association (run by J. C. Kumarappa) voted to allow the use of electrical power in paper pulp manufacture. I’ve attached an excerpt from my Kumarappa biography and the relevant article from Harijan that you might find of some interest.

Venu Madhav Govindu

Author, The Web of Freedom: J. C. Kumarappa and Gandhi’s Struggle for Economic Justice (OUP, India).

Screenings

Still Images

Credits

Our special thanks to
Dada Indigo
Charaka

The Team

Directed by

SASHI SIVRAMKRISHNA

Cinematography & Directorial Assistance

SANDEEP P. KUMAR

Project Field Researchers
SREEDHAR S
SHIVA M
Narration

OSHADHA P

Editor & Digital Colorist

RANJAN NAG

Still Photo Editing

JIJEESH T

Camera Assistants & Sound Recordists
BORE GOWDA (KRISHNA)
RAJA
Sound Design

ANAND VEYATTUMMAL

Archival Photographs

JEAN BAPTISTE OSCAR MALLITTE

(ALLAHABAD, 1877)

PRODUCED BY

FOUNDATION TO AID INDUSTRY RECOVERY INDIA